Urdu Shayari In Urdu Biography
Source(google.com.pk)Parveen Shakir Sad, Romantic Poetry, SMS, Hindi Shayari, Nazam, Ghazal, Biography of Parveen Shakir in Urdu
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Perveen Shakir was born on 24th November, 1952 in Karachi. She was highly educated with two masters degrees, one is English linguistics and other in English literature. She also held a PhD and master degree in Bank Administration.
Before joining the civil service she was professor at Karachi University and trinity college USA for nine years. Her first book Kushboo won Adamjee Award. Later she was awarded the pride of performance.
She used the first person feminine pronoun, which is really used in Urdu poetry even by female poets.Her Ghazal followed the classical Urdu ghazal only as far as the form was concerned, but her idiom resonated with that of Ahmad Faraz.
This is a fact that she was all rounder; master at Ghazal, Nazam and Geet. Despite her modern diction, so entrenched was Shakir in Urdu tradition that she paid generous tributes to many classical poets from Amir Khusro to Ghalib.
Perveen Shakir lived their respective as sensitive poets. On 26th December 1994 Perveen Shakir died in car accident in Islamabad. Her death deprived Urdu literature of an outstanding poet who had yet to reach the peak of her creativity.
Perveen Shakir Urdu Poetry
Kuch to hawa bhi sard thi, kuch tha tera Kheyal bhi
Dil ko khushi k sath sath hota raha Malal bhi
Baat wo aadhi raat ki, raat wo poore Chaand ki
Chaand bhi ain cheet ka is per tera Jamal bhi
Sab se nazar bacha k wo mujh ko kuch aise dekhta
Aik dafya to ruk gaii Gardish Mah-o-Sal bhi
Dil to chamak sakey ga kia, phir bhi Tarash ke dekh lein
Shishah gerane shahar ke hath ka yeh Kamal bhi
Us ko na pa sakey the jab dil ka ajeeb hal tha
Ab jo palt ke dekhey, Baat thi kuch mhaal bhi
Meri talab tha aik shaks, wo jo nahin mila to phir
Hath doya se yun gira, bhul giya sawal bhi
Us ke hi bazuyoon mein aur us ko hi sochte rahe
Jism ke khahishoon pe the roh ke aur jal bhi.
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Pura dukh aur Aadha Chaand
Hijr ki shab aur Aisa Chaand
Itne ghane Badal k piche
Kitna tanha Hoga chaand
Meri karavat par Jag uthe
Neend ka kitna Kachcha chaand
Sehra sehra Bhatak raha hai
Apne ishq mein Sachcha chaand
Raat k shayad Aik baje hain
Sotaa hoga meraChaand
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Justju khoye huon ki Umar bhar karte rahe
Chaand ke hamrah hum har Shab safar karte rahe
Raaston ka ilam tha hum ko na Simton ki khabar
Shahar-e-namalum ki Chaahat magar karte rahe
Hum ne khud se bhi Chupaaya aur sare Shahar se
Tere jaane ki Khabar dar-o-divaar karte rahe
Vo na aayega Hamain maalum tha us Sham bhi
Intezaar us ka magar kuch Sonch kar karte rahe
Aaj aayaa hai hamain bhi un Udanon ka khayal
Jin ko tere zaum mein be-baal-o-par karte rahe
*****************************
Kamal zabt ko khood bhI to aazmayon gi
Mein apnay hath say us ki dulhan sajaon gi
Supard kar kay usay chandni kay hathon mein
Mein apnay ghar kay andheron ko lot aaongi
Badan kay karb ko woh bhi samajh na paye ga
Mein dil mein royungi, aankhon mein muskuraon gi
Woh kia gia keh rafaqat kay saray lutf gaye
Mein kis say rooth sakon gi, kisay manayon gi
Ab us ka fun to kisi aur say hua mansoob
Mein kis ki nazam akelay mein gun'gunayon di
Woh aik rishtah be naam bhi nahi lekin
Mein ab bhi us kay isharon peh sar jhukayon gi
Bicha dia tha gulabon kay sath apna wajood
Woh so kay uthe to khawabon ki Raakh uthaon gi
Samayaton mein ghanay jangalon ki sansein hain
Mein ab kabhi teri aawaz sun na payon gi
Jawaz dhoond raha tha nayi muhabbat ka
Woh keh raha tha keh mein us ko bhool jayon gi.
Bano Qudsia (born 1928) is a writer, intellectual, playwright and spiritualist from Pakistan who is regarded among the best Urdu novelists and short story writers of modern times. She is best known for her novel Raja Gidh. She writes for television and stage in both Urdu and Punjabi languages. She is the wife of famous novelist Ashfaq Ahmed. She has written a number of popular television plays.Bano moved with her family to Lahore during the Partition of India. Her father, a landlord with a Bachelor's degree in agriculture, died when Bano was very young. She attended school in Dharamsala in eastern India before moving to Lahore. Her mother, Mrs. Chattah, was an educationalist, and this inspired the young Bano to develop a keen interest in academics, which turned her into a conscientious student. Her marriage to Ashfaq Ahmed consummated the artist in her, though she says she never discussed any of her works with her husband nor has the writer-spouse ever tried to influence her writings. "We work very independently. Writing a book is like bearing a child and you do not share that with anyone. God is your only confidant. It is also like falling in love. You keep it personal and private.As a student, she wrote for college magazines and other journals. Her memories of her days at Kinnaird College in Lahore, from where she graduated, are still quite vivid. She talks of the literary inspiration that was a hallmark at Kinnaird's campuses during those days. Though her stay at Kinnaird went a long way in sharpening her scholarly skills, Bano felt an incessant need to polish her expressions in Urdu, the only language with which she could reach the minds of the people. So in 1951, she completed her M.A. degree in Urdu from the Government College Lahore with distinction.She has authored numerous short stories, novelettes, television and radio plays, and stage plays. Her short stories include Baz Gasht, Amar Bail, Doosra Darwaza and Twajju ki Talib. Of her novels, none has received as much recognition as Raja Gidh which centers around the forbidden truth. The plot buildsaround the symbol of a vulture, a bird of prey, that feeds on dead flesh and carcasses. The moral sought implies that indulgence in the forbidden leads to physical and mental degeneration.Some of her best plays include Tamasil, Hawa key Naam, Seharay and Khaleej. The plight of women and other socio-economic issues have often been the subject of her television serials that have inspired families wherever they have been aired. The Graduate Award for Best Playwright was conferred on Bano in 1986, followed by the same award for three consecutive years from 1988 to 1990. In 1986, she was also given the Taj Award for Best Playwright.Rather critical of the deviation of today's woman from her natural role of mother and home keeper, Bano decries what she terms 'a woman's unsolicited and disoriented escape from responsibility.' Interestingly, though, she blames men for plotting a conspiracy to push women out of the house, her only domain. "And women fall easy prey to this trap. Men of the post-industrialization era gave women a taste of luxurious lifestyles and then instigated them to step out of the house and earn that lifestyle. The woman developed a taste for what she thought was freedom for her, but which actually bonded her as a labourer and a breadwinner."She cites the example of the woman who does the dishes in her home. "This woman is more liberated than your modern women, since she does not suffer from any conflicts of the 'self'. Poverty is all that hurts her and she is not caught in a rat race to prove something to herself or carve out an identity for herself. Her existence is identity enough.Bano also feels that what she calls women's 'strength of softness' has been lost in their struggle to prove themselves equal to men. What women take as their weaknesses are in fact their strengths, she believes.Bano Qudsia planned to co-author a book with her (now late) husband. Her obligations towards her family are much more important for her than her work. "My husband (now late), my three sons and daughter-in-law have all been very kind to me and have always showered their affections on me. So, how can I ever put anything else before them?"Having lived a fulfilling life, which Bano ascribes to the benevolence of those around her, she kept herself busy caring for her husband. She is now working on her present literary undertaking - a novel which she plans to title Dastan Serai, after her home. "I formally started work on this novel in 1992. Prior to this, I had worked on it during the 1950s. The novel is set against the backdrop of Partition and revolvesaround the theme of intention and motivation. It highlights the importance of intention as the key determinant behind every act.
Books. Aatish Zeir Pa . Adhi Baat . Aik Din . Amr Bail . Assey Passey . Bazgasht . Chahar Chaman . Dast Basta . Dosra Darwaza . Dusra Qadam . Foot Path Ki Ghaas . Haasil Ghaat, Read online . Hawwa Key Naam . Kuch Aur Nahi . Marde Abresham . Maum Ki Gallian . Naqabal e Zikr . Piya Naam Ka Diya . Purwa . Purwa and Aik Din . Raja Gidh, Read online . Saman-e-Wajood . Shehr-e-bemisaal . Sudhraan . Suraj Mukhi . Tamaseel . Tawjha Ki Talib . Dastan Sarei, forthcoming
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
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Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
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Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
Urdu Shayari In Urdu Urdu Quotes In English Images About Life For Facebook On Love On Friendship On Education Pics
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